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Tame Impala - Dracula Chords

ChordsF#m, G, F#/a#/A#, Bm, F#, A, C#m
Strumming↓-↓↑-↓↑-↓↑

Before you play, tune your guitar and use the tools below to set up your view and flow.

  • Guitar F#m | G♭m chord diagram Fingering: 2-4-4-2-2-2 Barre at fret 2.Guitar F#m | G♭m chord diagram
  • Guitar G chord diagram Fingering: 3-2-0-0-0-3Guitar G chord diagram
  • Guitar F#/A# | G♭/B♭ | F#/B♭ chord diagram Fingering: 6-x-x-6-7-6 Barre at fret 6. Base fret 6.Guitar F#/A# | G♭/B♭ | F#/B♭ chord diagram
  • Guitar Bm chord diagram Fingering: 2-2-4-4-3-2 Barre at fret 2.Guitar Bm chord diagram
  • Guitar F# | G♭ chord diagram Fingering: 2-4-4-3-2-2 Barre at fret 2.Guitar F# | G♭ chord diagram
  • Guitar A chord diagram Fingering: x-0-2-2-2-0Guitar A chord diagram
  • Guitar C#m | D♭m chord diagram Fingering: x-4-2-1-2-xGuitar C#m | D♭m chord diagram


[F#m]Oh-oh-oh-oh, [G]oh-oh-oh-oh
[F#m]Oh-oh-oh-oh, [G]oh-oh-oh-oh
(Check it out now)
[F#m] [G] [F#m] [G]
[F#m] [G] [F#/A#] [G]


The [Bm]morning light is turning blue, the feeling is bizarre (Bizarre)


The night is almost over, I still don't know where you are
The shadows, yeah, they [F#]keep me pretty [A]like a movie [C#m]star (Ha-ha-ha-ha)
[G]Daylight makes me feel like Drac[F#]ula (Dracula)


[F#m] In the end, I hope it's [G]you and me
[F#m] In the darkness, I would [G]never leave you (Ah)
[F#m] Won't ever see me in the [G]light of day
It's [F#/A#]far too late, the [G]time has come


I'm [Bm]on the verge of caving in, I run back through thе dark


Now I'm Mr. Charisma, fuckin' Pablo Escobar (Escobar)
My friends are saying, "Sh[F#]ut up, Kevin, just [A]gеt in the [Bm]car" (Kevin)
I [F#]just wanna be right where you are (Oh, my love)


[F#m] In the end, I hope it's [G]you and me
[F#m] In the darkness, I would [G]never leave you (I won't leave her)
[F#m] We both saw this moment comin' [G]from afar
Now [F#/A#]here we are


[Bm]Run from the sun like D[G]racula (Hey)
[F#m]Run from the sun like D[G]racula (Dracu-Dracula)
[Bm]Run from the sun like Dra[F#m]cula (Run from the sun)
[Bm]Isn't the [A]view spec[G]tacular? (Sun like Dracula)


[F#m]Oh-oh-oh-oh, [G]oh-oh-oh-oh (Ha-ha-ha-ha)
[F#m]Oh-oh-oh-oh, [G]oh-oh-oh-oh (Check it out now)
[F#m]Oh-oh-oh-oh, [G]oh-oh-oh-oh
[F#/A#]Oh-oh-oh-oh, [Bm]oh-oh-oh-oh


But [F#m]please, do you [G]think about what it might[F#m] mean?
'Cause I [G]dream about you in my[F#m] sleep
That you [G]ever love someone like[F#m] me? Like[Bm] me? (Oh)


[F#m] In the end, I hope it's [G]you and me (Oh)
[F#m] In the darkness, I would [G]never leave (I won't leave her)
[F#m] We both saw this moment comin' [G]from afar
Now [F#/A#]here we are


So [Bm]run from the sun like D[G]racula (Hey)
[F#m]Run from the sun like D[G]racula (Run from the sun like Dracula)
[Bm]Run from the sun like D[F#m]racula (Oh)
[Bm]Isn't the [A]view spec[G]tacular? (Run from the sun like Dracula)
[F#m]Run from the sun like D[G]racula (Run from the sun like Dracula)
[Bm]Run from the sun like D[F#m]racula (Run from the sun like)
[Bm]Isn't the [A]view spec[G]tacular? (Run from the sun like Dracula)
[F#m]Run from the sun like D[G]racula (Run from the sun like Dracula)
[Bm]Run from the sun like D[F#m]racula (Run from the sun like Dracula)
[Bm]Isn't the [A]view specta[G]cular?

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AlbumSingle
Year2026
KeyEbm

How to play Dracula on Guitar (Step-by-step)

Tame Impala - Dracula on guitar requires 7 chords and 13 core chord transitions. You can find the full step-by-step guide below. Before you start, tune your instrument. The song uses the ↓-↓↑-↓↑-↓↑ pattern; practice it muted first, or simplify to downstrokes while you learn the changes.

Dracula uses these transitions most often: F#m → G (24), G → F#m (20), and Bm → F#m (6). These transitions may feel a little challenging at first, but with steady practice you can play this song quickly.When you are ready, begin with F#m - G chord transition.

1. F#m → G chord transition

To move from F#m to G;

  1. While playing F#m, lift your pinky from D string fret 4.
  2. Lift your index finger from E string fret 2 and place it on A string fret 2.
  3. Slide your ring finger from A string fret 4 to E string fret 3.
  4. Place middle finger on E string fret 3.
F#m to G

3. G → Bm chord transition

To move from G to Bm;

  1. Lift your index finger from A string fret 2 and place it on E string fret 2.
  2. Slide your middle finger from E string fret 3 to B string fret 3.
  3. Lift your ring finger from E string fret 3 and place it on D string fret 4.
  4. Place pinky on G string fret 4.
G to Bm

4. Bm → F# chord transition

To move from Bm to F#;

  1. Keep index finger on E string fret 2.
  2. Lift your middle finger from B string fret 3 and place it on G string fret 3.
  3. Slide your ring finger from D string fret 4 to A string fret 4.
  4. Lift your pinky from G string fret 4 and place it on D string fret 4.
Bm to F#

5. F# → A chord transition

To move from F# to A;

  1. While playing F#, lift your pinky from D string fret 4.
  2. Lift your index finger from E string fret 2 and place it on D string fret 2.
  3. Slide your middle finger on G string from fret 3 to fret 2.
  4. Lift your ring finger from A string fret 4 and place it on B string fret 2.

6. A → C#m chord transition

To move from A to C#m;

  1. Lift your index finger from D string fret 2 and place it on G string fret 1.
  2. Slide your middle finger from G string fret 2 to D string fret 2.
  3. Keep ring finger on B string fret 2.
  4. Place pinky on A string fret 4.

7. C#m → G chord transition

To move from C#m to G;

  1. While playing C#m, lift your pinky from A string fret 4.
  2. Lift your index finger from G string fret 1 and place it on A string fret 2.
  3. Slide your middle finger from D string fret 2 to E string fret 3.
  4. Lift your ring finger from B string fret 2 and place it on E string fret 3.

8. G → F# chord transition

To move from G to F#;

  1. Lift your index finger from A string fret 2 and place it on E string fret 2.
  2. Slide your middle finger from E string fret 3 to G string fret 3.
  3. Lift your ring finger from E string fret 3 and place it on A string fret 4.
  4. Place pinky on D string fret 4.

9. F# → F#m chord transition

To move from F# to F#m;

  1. While playing F#, lift your middle finger from G string fret 3.
  2. Keep index finger on E string fret 2.
  3. Keep ring finger on A string fret 4.
  4. Keep pinky on D string fret 4.

10. A → Bm chord transition

To move from A to Bm;

  1. Lift your index finger from D string fret 2 and place it on E string fret 2.
  2. Slide your middle finger from G string fret 2 to B string fret 3.
  3. Lift your ring finger from B string fret 2 and place it on D string fret 4.
  4. Place pinky on G string fret 4.

11. F#/a#/A# → Bm chord transition

To move from F#/a#/A# to Bm;

  1. Place index finger on E string fret 2.
  2. Place middle finger on B string fret 3.
  3. Place ring finger on D string fret 4.
  4. Place pinky on G string fret 4.

12. Bm → F#m chord transition

To move from Bm to F#m;

  1. While playing Bm, lift your middle finger from B string fret 3.
  2. Keep index finger on E string fret 2.
  3. Lift your ring finger from D string fret 4 and place it on A string fret 4.
  4. Slide your pinky from G string fret 4 to D string fret 4.

13. A → G chord transition

To move from A to G;

  1. Lift your index finger from D string fret 2 and place it on A string fret 2.
  2. Slide your middle finger from G string fret 2 to E string fret 3.
  3. Lift your ring finger from B string fret 2 and place it on E string fret 3.

A short, data-driven summary of the chord flow in Dracula.

  • Dracula includes 92 chord transitions, 13 of them unique.
  • These transitions represent 0.02% of all chord transitions in Chordier.
  • Dracula contains 3 of the top 25 transitions across Chordier.
  • These transition patterns show how Dracula connects to the rest of Chordier. Mastering them helps you move to similar songs faster.
    After G, the most likely next chords across Chordier are C (25%), D (24%), and Am (13%).
    • G → Bm: 4%
    • G → F#m: 0%
    After F#m, the most likely next chords across Chordier are D (21%), A (18%), and E (14%).
    • F#m → G: 10%
    • F#m → Bm: 10%