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Florida Georgia Line - Good Girl, Bad Boy Chords

ChordsE, B, C#m, A, F#m
Strumming↓-↓↑-↑↓↑

Before you play, tune your guitar and use the tools below to set up your view and flow. Using the Transpose tool, switch to G key to play this song with easier chords.

  • Guitar E chord diagram Fingering: 0-2-2-1-0-0Guitar E chord diagram
  • Guitar B chord diagram Fingering: 2-2-4-4-4-2 Barre at fret 2.Guitar B chord diagram
  • Guitar C#m | D♭m chord diagram Fingering: x-4-2-1-2-xGuitar C#m | D♭m chord diagram
  • Guitar A chord diagram Fingering: x-0-2-2-2-0Guitar A chord diagram
  • Guitar F#m | G♭m chord diagram Fingering: 2-4-4-2-2-2 Barre at fret 2.Guitar F#m | G♭m chord diagram


[E]She’s a little red wine, he’s a little bit of [B]whiskey smoke
[C#m]He’s ragged on the edge, she’s keeping him [A]holding out hope
[E]She’s a front pew hallelujah, drop another [B]20 in the plate
[C#m]He’s on the back row, little hungover, ‘bout [A]20 minutes late


She’s a [C#m]good girl, sky blue, turquoise, falling for a [A]bad boy
Driving that Detroit, big block [E]cruising up the black top, turning up a corn row
[B]Scarecrow, farm house, gravel road, coming for a [C#m]good girl, counting down the sunset
Never been [A]broke heart, racing like a Corvette, got a little [E]wildfire burning in her angel eyes
Probably ain’t [B]never been lost after midnight, trying to be a [C#m]good girl
But falling for a [A]bad boy, trying to be [E]a good girl, but falling for a [B]bad boy


[E]Well she’s sundress cotton, he’s grease on a [B]Carhartt shirt
[C#m]She’s a candle in the wind, he’s a light it up and [A]let it burn
And every time she’s [E]with him, all she wants to do is [B]kiss him
Starts thinking maybe she can [C#m]fix him, he’s thinking he’d [A]love to let her try


She’s a [C#m]good girl, sky blue, turquoise, falling for a [A]bad boy
Driving that Detroit, big block [E]cruising up the black top, turning up a corn row
[B]Scarecrow, farm house, gravel road, coming for a [C#m]good girl, counting down the sunset
Never been [A]broke heart, racing like a Corvette, got a little [E]wildfire burning in her angel eyes
Probably ain’t [B]never been lost after midnight, trying to be a [C#m]good girl
But falling for a [A]bad boy, trying to be [E]a good girl, but falling for a [B]bad boy


[C#m] [A] [E] [B]
And every time she’s [C#m]with him, she knows she probably oughta [A]quit him
But he don’t wanna [F#m]let her get [B]away


She’s a [C#m]good girl, sky blue, turquoise, falling for a [A]bad boy
Driving that Detroit, big block [E]cruising up the black top, turning up a corn row
[B]Scarecrow, farm house, gravel road, coming for a [C#m]good girl, counting down the sunset
Never been [A]broke heart, racing like a Corvette, got a little [E]wildfire burning in her angel eyes
Probably ain’t [B]never been lost after midnight, trying to be a [C#m]good girl
But falling for a [A]bad boy, trying to be [E]a good girl, but falling for a [B]bad boy


She’s so [C#m]good, she’s so good, she’s so good, she’s so [A]good, she’s so good, she’s so good
She’s so [E]good, she’s so good, she’s so good, falling for a [B]bad boy [C#m]

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AlbumDog Your Roots
GenresCountry
Year2016
KeyE

How to play Good Girl, Bad Boy on Guitar (Step-by-step)

Florida Georgia Line - Good Girl, Bad Boy on guitar requires 5 chords and 6 core chord transitions. You can find the full step-by-step guide below. Before you start, tune your instrument. The song uses the ↓-↓↑-↑↓↑ pattern; practice it muted first, or simplify to downstrokes while you learn the changes.

Good Girl, Bad Boy uses these transitions most often: C#m → A (16), B → C#m (15), and E → B (15). These transitions may feel a little challenging at first, but with steady practice you can play this song quickly.When you are ready, begin with E - B chord transition.

1. E → B chord transition

To move from E to B;

  1. Lift your index finger from G string fret 1 and place it on E string fret 2.
  2. Slide your middle finger from A string fret 2 to D string fret 4.
  3. Lift your ring finger from D string fret 2 and place it on G string fret 4.
  4. Place pinky on B string fret 4.
E to B

2. B → C#m chord transition

To move from B to C#m;

  1. Lift your index finger from E string fret 2 and place it on G string fret 1.
  2. Slide your middle finger on D string from fret 4 to fret 2.
  3. Lift your ring finger from G string fret 4 and place it on B string fret 2.
  4. Slide your pinky from B string fret 4 to A string fret 4.
B to C#m

3. C#m → A chord transition

To move from C#m to A;

  1. While playing C#m, lift your pinky from A string fret 4.
  2. Lift your index finger from G string fret 1 and place it on D string fret 2.
  3. Slide your middle finger from D string fret 2 to G string fret 2.
  4. Keep ring finger on B string fret 2.
C#m to A

4. A → E chord transition

To move from A to E;

  1. Lift your index finger from D string fret 2 and place it on G string fret 1.
  2. Slide your middle finger from G string fret 2 to A string fret 2.
  3. Lift your ring finger from B string fret 2 and place it on D string fret 2.
A to E

5. A → F#m chord transition

To move from A to F#m;

  1. While playing A, lift your middle finger from G string fret 2.
  2. Lift your index finger from D string fret 2 and place it on E string fret 2.
  3. Slide your ring finger from B string fret 2 to A string fret 4.
  4. Place pinky on D string fret 4.

6. F#m → B chord transition

To move from F#m to B;

  1. Keep index finger on E string fret 2.
  2. Lift your ring finger from A string fret 4 and place it on G string fret 4.
  3. Slide your pinky from D string fret 4 to B string fret 4.
  4. Place middle finger on D string fret 4.

A short, data-driven summary of the chord flow in Good Girl, Bad Boy.

  • Good Girl, Bad Boy includes 64 chord transitions, 6 of them unique.
  • These transitions represent 0.02% of all chord transitions in Chordier.
  • Good Girl, Bad Boy contains 1 of the top 25 transitions across Chordier.
  • These transition patterns show how Good Girl, Bad Boy connects to the rest of Chordier. Mastering them helps you move to similar songs faster.
    After C#m, the most likely next chords across Chordier are A (27%), B (21%), and F#m (11%).
    • C#m → A: 27%
    After B, the most likely next chords across Chordier are E (21%), Em (16%), and A (16%).
    • B → E: 21%
    • B → C#m: 10%