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Howard Jones - No One Is to Blame Chords

ChordsA, F#m, E7, D, Bm
Strumming↓-↓↑-↓↑-↓↑

Before you play, tune your guitar and use the tools below to set up your view and flow. Using the Transpose tool, switch to D key to play this song with easier chords.

AF#mE7
AYoucanlookatthemenu,butyouE7justcan’teat
YoucanfeeltheDcushion,butyoucan’thaveaAseat
Youcandipyourfootinthepool,butyouE7can’thaveaswim
DYoucanfeelthepunishment,butyoucan’tdotheAsin
AndyouE7wanther,andsheDwantsyou
AWewanteveryone
AndyouE7wantherandsheDwantsyou
NoAone,noDone,nooneeverisAtoblameAE7AF#mE7
AYoucanbuildamansion,butyoujustE7can’tliveinit
DYou’rethefastestrunnerbutyou’renotallowedtoAwin
Somebreaktherules,andletyoucutthecostE7
DTheinsecurityisthethingthatwon’tgetAlost
AndyouE7wanther,andsheDwantsyou
AWewanteveryone
AndyouE7wantherandsheDwantsyou
NoAone,noDone,nooneeverisAtoblameAE7AF#mE7
AYoucanseethesummitbutyouE7can’treachit
DIt’sthelastpieceofthepuzzlebutyouAjustcan’tmakeitfit
Doctorsaysyou’recuredbutyoustillfeeltheE7pain
DAspirationsinthecloudsbutyourhopesgodowntheAdrain
AndyouE7wanther,andsheDwantsyou
AWewanteveryone
AndyouE7wantherandsheDwantsyou
NoAone,noDone,noBmoneeverE7istoF#mblameBm
BmNooneE7everistoF#mblame
BmNooneeveristoAblameAE7AE7DA
AlbumOne to One
GenresSoft Rock
Year1986
KeyA
DifficultyIntermediate

How to play No One Is to Blame on Guitar (Step-by-step)

Howard Jones - No One Is to Blame on guitar requires 5 chords and 9 core chord transitions. You can find the full step-by-step guide below. Before you start, tune your instrument. The song uses the ↓-↓↑-↓↑-↓↑ pattern; practice it muted first, or simplify to downstrokes while you learn the changes.

No One Is to Blame uses these transitions most often: A → E7 (16), D → A (15), and E7 → D (13). These transitions may feel a little challenging at first, but with steady practice you can play this song quickly.When you are ready, begin with A - F#m chord transition.

1. A → F#m chord transition

Here's how to move from A to F#m:

  1. While playing A, lift your middle finger from G string fret 2.
  2. Lift your index finger from D string fret 2 and place it on E string fret 2.
  3. Slide your ring finger from B string fret 2 to A string fret 4.
  4. Place pinky on D string fret 4.

This transition appears in the verse, played 3 times.

A to F#m

2. F#m → E7 chord transition

To move from F#m to E7:

  1. While playing F#m, first lift your ring finger and pinky.
  2. Lift your index finger from E string fret 2 and place it on G string fret 1.
  3. Place middle finger on A string fret 2.

This transition appears in the verse, played 3 times.

F#m to E7

3. E7 → A chord transition

To move from E7 to A:

  1. Lift your index finger from G string fret 1 and place it on D string fret 2.
  2. Slide your middle finger from A string fret 2 to G string fret 2.
  3. Place ring finger on B string fret 2.

This transition appears in the verse, played 6 times.

E7 to A

4. E7 → D chord transition

To move from E7 to D:

  1. Slide your index finger on G string from fret 1 to fret 2.
  2. Slide your middle finger from A string fret 2 to E string fret 2.
  3. Place ring finger on B string fret 3.

This transition appears in the verse, played 13 times.

E7 to D

5. D → A chord transition

Here's how to move from D to A:

  1. Lift your index finger from G string fret 2 and place it on D string fret 2.
  2. Slide your middle finger from E string fret 2 to G string fret 2.
  3. Slide your ring finger on B string from fret 3 to fret 2.

This transition appears in the verse, played 15 times.

6. D → Bm chord transition

To move from D to Bm:

  1. Lift your index finger from G string fret 2 and place it on E string fret 2.
  2. Slide your middle finger from E string fret 2 to B string fret 3.
  3. Lift your ring finger from B string fret 3 and place it on D string fret 4.
  4. Place pinky on G string fret 4.

This transition appears in the verse.

7. Bm → E7 chord transition

Switching from Bm to E7:

  1. While playing Bm, first lift your ring finger and pinky.
  2. Lift your index finger from E string fret 2 and place it on G string fret 1.
  3. Slide your middle finger from B string fret 3 to A string fret 2.

This transition appears in the verse, played 2 times.

8. F#m → Bm chord transition

To move from F#m to Bm:

  1. Keep index finger on E string fret 2.
  2. Lift your ring finger from A string fret 4 and place it on D string fret 4.
  3. Slide your pinky from D string fret 4 to G string fret 4.
  4. Place middle finger on B string fret 3.

This transition appears in the verse, played 2 times.

9. Bm → A chord transition

To move from Bm to A:

  1. While playing Bm, lift your pinky from G string fret 4.
  2. Lift your index finger from E string fret 2 and place it on D string fret 2.
  3. Slide your middle finger from B string fret 3 to G string fret 2.
  4. Lift your ring finger from D string fret 4 and place it on B string fret 2.

This transition appears in the verse.

A short, data-driven summary of the chord flow in No One Is to Blame.

  • No One Is to Blame includes 67 chord transitions, 9 of them unique.
  • These transitions represent 0.02% of all chord transitions in Chordier.
  • No One Is to Blame contains 1 of the top 10 transitions across Chordier.
  • These transition patterns show how No One Is to Blame connects to the rest of Chordier. Mastering them helps you move to similar songs faster.
    After A, the most likely next chords across Chordier are D (29%), G (13%), and E (12%).
    • A → D: 29%
    • A → F#m: 6%
    After E7, the most likely next chords across Chordier are A (31%), Am (28%), and A7 (7%).
    • E7 → A: 31%
    • E7 → D: 6%